Along with the sheer devaluing of musical production came the steady relegation of music to background. The increase in music’s background presence is made possible by technology, and people then become accustomed to it in that role; music becomes less and less a natural focus of attention. That creates markets for very cheaply produced sound – much popular music now is made on a laptop with a singer or two, no band. As sounds of these kinds become the norm, it makes even less sense to sit down and listen. There is a spiralling downward feedback between modes of production, reproduction, and listening.